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Please help us to publicise this concert:
- Click on the image on the left to download an A4 size poster,
- Print it (it's in black and white so should work with any printer),
- Put it somewhere people will see it!
Thanks for supporting Surrey Brass.
Meanwhile here are some great Soviet Posters to look at.
7:30pm 19th
October 2002 Christ
Church,
Town Square, Woking, Surrey, GU21 1YG
Christ Church has excellent facilities for the disabled, including easy wheelchair access, toilet and parking facilities. Please contact Christ Church Office (01483 740897) during normal hours for more information.
Christ Church is three minutes walk from Woking station which has 19 trains per hour from Waterloo, many direct.
Woking town centre is also well served by bus services, and the terminus is also very close to Christ Church.
There is a very large amount of ticketed parking in several locations close to the Peacocks Centre, which is adjacent to Christ Church.
Tickets are £8 and and will be available from early October. Concessions (£6) are available for Students, Disabled and OAP. Tickets can be reserved from secretary@surreybrass.co.uk or obtained direct from Christ Church Office (01483 740897) during office hours. Tickets will be available on the night subject to hall capacity limits. We advise you to book early for this popular concert.
INTERVAL
Encore - "From Russia with Love" - music from the James Bond film, to celebrate the release of "Die Another Day" - arranged by John Hughes
"The
Russian Brass concert was fabulous
and the CD is
excellent."
- Peter Bryant


From Russia
With Love
Concert by Surrey Brass – 19th October 2002
At
Christ Church, Town Square, Peacocks Centre.
It must be said that the prospect of sitting through an entire concert of Russian brass music in a church in Woking wasn’t exactly the most stimulating choice for a Saturday evening’s entertainment. How wrong can you be! Surrey Brass presented their audience with a hugely powerful and varied programme – some familiar, some lesser known, but all thoroughly enjoyable and atmospheric. Their trick was to use Russia as the theme and not to limit themselves only to Russian music by Russian composers – and it worked very well.
There is only one way to begin a concert by a 10-piece brass ensemble and that’s with a fanfare – in this case a stirring piece by Alexander Tcherepnin. There followed an arrangement of two pieces from Prokofiev’s Lieutenant Kije, including the famous Troika which has become as familiar as Jingle Bells at Christmas time, and rightly so as it’s a great tune, heard here in an arrangement by Fisher Tull.
Surrey Brass are anything if not versatile. Next came a quintet by Victor Ewald with conductor Robin Smith swapping baton for trumpet to lead some precise, thoughtful playing, then back to full forces, including extra horns and a euphonium, to perform the rarely heard but deeply moving Russian Funeral by Benjamin Britten. The first half ended with arrangements of Prokofiev’s March Opus 99, and two pieces by Tchaikovsky – Romance Opus 5 and the short yet brilliant Trepak from The Nutcracker.
Having only just sat down again after the interval, the audience were immediately blasted out of their seats by a superb version of Khatchatourian’s Sabre Dance, the pleasure enhanced by seeing trumpet players go purple from lack of breath and four trombonists playing rude glissandos in perfect unison. In total contrast, Robin Smith again picked up his trumpet to play solo in Rachmaninov’s beautiful Vocalise, one of those pieces that you know and love but often cannot put a name to.
Which brought us to the main event – Moussorgsky’s masterpiece, Pictures at an Exhibition, or rather nine of them, superbly arranged by Michael Stewart. Clever use of mutes created a startling range of colours and textures which the music demands, from the stately opening Promenade to the dramatic slamming chords of the Great Gate of Kiev. All credit to the all-female percussion section who gave it everything.
Finally and surprisingly, this Slavonic adventure ended with a bit of jazz, Midnight in Moscow, made famous by Kenny Ball in the early 1960s and specially arranged for Surrey Brass for the occasion. This was a clever way to end the concert, with a spot of light relief, as was the choice of encore, the piece that gave the concert its name – Lionel Bart’s From Russian With Love. Whatever my expectations of this evening, to end up toe tapping was not amongst them!
If you get the chance to see Surrey Brass, don’t miss them. They have not been around for long but they are a talented, resourceful group with a flair for presenting classical music in an entertaining and approachable way. They play because they love it, and that enthusiasm is palpable, be it Prokofiev, Britten or James Bond. Catch them next as they continue their musical tour of the world playing music from Venice in Farnham on 30th November.
McKinley Morganfield
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